While Emam was waxing philosophical about another actor at the time, by his own metric it is his sincerity that has helped earn his following - both from those that watch his work, and those that have worked with him directly. “It is honesty that determines career longevity, and an actor’s esteem from his fans determines his continuation or his end.”Īdel Emam with Hend Sabry in Marwan Hamed's 'The Yacoubian Building'.
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And believe me, you can fool some people all the time, and you can fool all the people some of the time, but you cannot fool all the people all the time,” Emam told Kuwait’s Zaman TV in the 1970s.
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A legend of stage and screen - both big and small - Emam is the crown prince of Egyptian pop-culture, a comic and dramatic actor who has appeared in 103 movies and more than a dozen TV series over an astounding career that has lasted more than 60 years.Īt 82, Emam may have taken a slight step back from the public eye, but the love the Arab world continues to show for him, and his influence on the generations of talent who grew up idolizing him, is as immense as it has ever been. Put it this way: The Dubai International Film Festival has given him a Lifetime Achievement Award twice.
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What viewers will undoubtedly take away is a picture of a man who paved the way for actors of color to shine on the big screen and emerge from the shadows of their white contemporaries.ĭUBAI: There are not many lives as full as Adel Emam’s. The biopic dives into all this and more, but does not shy away from the actor’s failings in his personal life - his long affair with actress Diahann Carroll triggered a divorce which split his family, for example. It was electrifying, especially given the ongoing civil rights movement. What caused even more of a stir was 1967 film “In the Heat of the Night” in which Poitier’s Detective Virgil Tibbs slapped an actor playing a white plantation owner on screen. His 1963 film “Lilies of Field” earned him an Oscar and he became the first Black person to win an Academy Award for Best Actor. Earlier, Black actors could only be janitors or dishwashers or nannies on the silver screen, but Poitier changed all this. I must be clean when I am painting,” she added.Ī post shared by Apple TV much of the biography comes from the man himself, there are invaluable inputs from Winfrey, Halle Berry and Morgan Freeman, who says at one point that Sidney never played a subservient part – something so common in Hollywood before race relations became a huge debate in the 1960s. There are little details that I must obey. “When I open the Qur’an to copy a verse, I have to obey the style. “I know all the rules and I am in touch with multiple sheikhs so that when I am drawing I obey the rules of the Islamic sect.” I have my own (style) in the way I write,” she said, referring to a style of Arabic calligraphy. When I write, I don’t follow the schools of Arabic letters like the school of Kufi. In an interview with Arab News, Hilda, who has been painting for over 30 years, said that she contacts imams to make sure that her writing, her art and her techniques are correct. “There shall be no compulsion in religion,” Hilda Kelekian. Hilda paints on goat and cow skin, while Lena is a ceramicist. So, I thought it would be a good idea to finally get her very unique art pieces (out there).” “She has a lot of clients from the UAE, Saudi Arabia and all the Gulf region – and even in Europe. “Hilda has been getting a lot of interest worldwide,” Azoury told Arab News. DUBAI: A Lebanese patron has launched a website to give Islamic art made by creatives Hilda and Lena Kelekian, who are of Armenian, Cypriot and Lebanese descent, international exposure.Īnthony Azoury launched to expose new clients to the Orthodox Christian creatives who create artwork with verses from the Qur’an.